Zirkus | Wissenschaft

Zirkus | Wissenschaft

Das Projekt Zirkus | Wissenschaft möchte Zirkus als kulturwissenschaftliches Untersuchungsobjekt in der universitären Forschung und Lehre verankern und Studierende und Wissenschaftler*innen für das Genre begeistern, um Abschlussarbeiten und Forschungsprojekte in Deutschland zu initiieren. Es ist ein erklärtes Ziel des Projektes, die WWU langfristig als international wettbewerbsfähigen Standort der zirzensischen Forschung zu etablieren und Vertreter*innen dieser Forschungsrichtung aus dem In- und Ausland in Münster in einem wissenschaftlichen Netzwerk zusammenzuführen. Zirkus | Wissenschaft beabsichtigt, die (münstersche) Öffentlichkeit für den Stellenwert von Zirkus als Kulturgut zu sensibilisieren.


Bilder 10


Ansprechpartner

  • Franziska Trapp
  • (+49) 0176 52802566

Angebote

UpSideDown—Circus and Space | Conference, June 28–30 2017, Münster, Germany

“In acrobatics, we say that we are lost, that is, we do not know whether
it’s the top or the bottom, whether we are climbing or falling.” With
these words, the circus performance Acrobates – une histoire d’art et
d’amitié (France) opens by drawing attention to one of the major
characteristics of circus: its special relation to space. The
significance of space in circus is ubiquitous: Gravity & Other Myths
(Australia) visualizes the spatiality of circus in their company name;
Gandini juggling (UK) entitled their current show 4x4 Ephemeral
Architectures; the performance Hans was Heiri, created by Zimmermann
& De Perrot (Switzerland), is based on spatial scenic research; and
in the cyr wheel act by Aimé Morales (Venezuela), the apparatus within
the diegesis is used as a boundary to a mythic world. According to Paul
Bouissac, it is even possible to attribute to circus “a sui generis
spatial semiotics.” Over the last centuries the circus arts have been
performed at different spaces such as the ring, the stage, and the
street, highly affecting the public’s reception. Circus artists and
shows are able to travel throughout the world and adapt to the
prevailing cultural paradigms. Circus disciplines take up the width,
depth, and height of three-dimensional space. Circus bodies defy gravity
by turning themselves upside down.


This conference examines the question of space in the context of
traditional, new, and contemporary circus through the lens of semiotics.
Fields such as Liminal Spaces, Theories of Place and Space, Borders and
Border Crossing, Performing in and Mapping Space, and Transnational
Spaces may also be considered. Its aim is to deepen the knowledge
obtained at the previous conference “Semiotics of the Circus” (2015),
which was organized by the research project Zirkus|Wissenschaft
(Circus|Studies) at the University of Münster, Germany.


• Ring, stage, street—Circus performance spaces

• Boundaries, barriers, horizons—Circus and mobility

• Horizontality, verticality, gravity—Body movement and space

• Borders, orders, shifts—Circus and semantic spaces

• Constructs, configuration, practice—Circus and cultural spaces


Keynotes

Prof. Dr. Paul Bouissac | Toronto

Prof. Dr. Louis-Patrick Leroux | Montréal

Prof. Dr. Philippe Goudard | Montpellier

Prof. Dr. Peta Tait | Melbourne

Pascal Jacob | Paris


Work cited: Bouissac, Paul: Semiotics at the Circus. De Gruyter: Berlin/New York 2010. p. 11.


Besonderes

The event is open to the public. Please register via mail. For further information, see www.zirkuswissenschaft.de.


Rubriken


0 Bewertungen